By Celia Marshik
Celia Marshik’s research combines shut readings of modernist and middlebrow works, a background of england within the early 20th century, and the insights of factor conception. She makes a speciality of 4 special different types of contemporary garments: the night costume, the waterproof coat, the partiality gown gown, and secondhand clothes. of their use of those outfits, we see authors negotiate moving gender roles, weigh the worth of individuality in the course of nationwide clash, paintings via mortality, and depict altering category buildings. Marshik’s dynamic comparisons positioned Ulysses in dialog with Rebecca, Punch cartoons, articles in Vogue, and letters from shoppers, illuminating critiques approximately particular clothing and a frequent anxiousness that individuals have been not more than what they wore. all through her readings, Marshik emphasizes the continual animation of clothingand objectification of individualsin early-twentieth-century literature and society. She argues that whereas artists and intellectuals celebrated the facility of recent members to remake themselves, a number literary works and well known courses issues to a lingering anxiousness approximately how political, social, and financial stipulations endured to constrain the individual.
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